Water Samples
2017 (ongoing)
Water from 100 Locations,
100 Glass Bottles
Each Bottle 9 in x 3 in
This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.
Water Samples
2017 (ongoing)
Water from 100 Locations,
100 Glass Bottles
Each Bottle 9 in x 3 in
This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.
Water Samples
2017 (ongoing)
Water from 100 Locations,
100 Glass Bottles
Each Bottle 9 in x 3 in
This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.
Recording The Tide 1
2018
Sand, Pebbles, Glue, Water on Paper
27 in x 40 in
This piece is part of a series of artwork documenting the tide of Lake Bolsena (central Italy).
Considerations taken into account were the time of day, the location on the lake, weather
patterns, and exterior variables such as currents from boats, footprints from ducks, etc.
Trantler (Tree + Antler)
June 2020
Reclaimed Wood, Bronze
12.5 ft x 4 ft
Gearhart, Oregon, USA
The name Trantler is based on combining two predominant elements in Gearhart: the wild elk that roam the region, and the timber industry that has been a cornerstone in the Pacific Northwest since 1848. Oregon is one of the world’s great tree-growing areas so it comes natural to celebrate its contribution to the state’s economy as well as the majestic beauty of its forests. Additionally, the elk herd near Gearhart has become quite prevalent - growing from about thirty a decade ago to around one hundred and twenty members today. Both the timber industry and the elk herd have been sources of discussion within the community. The conversation regarding the environmental impacts of clear cutting versus its potential to diversify the local ecosystem is in debate. Concurrently, the dialogue around the elk herd being a charming attraction as opposed to the wild life creating safety issues still stands strong. This sculpture positions itself as an unbiased piece of artwork, aiming to observe the challenging aspects of human’s relationship with nature, and to promote critical thinking towards the connection between preserving our planet and protecting a healthy economy. The goal of the project is to bring residents and tourists together in hopes of more interaction and collaboration between each other and foster unity by showcasing varying ideologies within a community in a peaceful manner.
Trantler (Tree + Antler)
June 2020
Reclaimed Wood, Bronze
12.5 ft x 4 ft
Gearhart, Oregon, USA
The name Trantler is based on combining two predominant elements in Gearhart: the wild elk that roam the region, and the timber industry that has been a cornerstone in the Pacific Northwest since 1848. Oregon is one of the world’s great tree-growing areas so it comes natural to celebrate its contribution to the state’s economy as well as the majestic beauty of its forests. Additionally, the elk herd near Gearhart has become quite prevalent - growing from about thirty a decade ago to around one hundred and twenty members today. Both the timber industry and the elk herd have been sources of discussion within the community. The conversation regarding the environmental impacts of clear cutting versus its potential to diversify the local ecosystem is in debate. Concurrently, the dialogue around the elk herd being a charming attraction as opposed to the wild life creating safety issues still stands strong. This sculpture positions itself as an unbiased piece of artwork, aiming to observe the challenging aspects of human’s relationship with nature, and to promote critical thinking towards the connection between preserving our planet and protecting a healthy economy. The goal of the project is to bring residents and tourists together in hopes of more interaction and collaboration between each other and foster unity by showcasing varying ideologies within a community in a peaceful manner.
virUS
Public Installation, Video
April 2020
100 Clay Roof Tiles, 1 Sledgehammer, 1 Pick Axe
10 ft x 50 ft
Los Angeles, California
To view the 1 minute 45 second video, click here