Water Samples
2017 (ongoing)
Water from 100 Locations,
100 Glass Bottles
Each Bottle 9 in x 3 in
This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.
Water Samples
2017 (ongoing)
Water from 100 Locations,
100 Glass Bottles
Each Bottle 9 in x 3 in
This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.
Water Samples
2017 (ongoing)
Water from 100 Locations,
100 Glass Bottles
Each Bottle 9 in x 3 in
This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.
Recording The Tide 1
2018
Sand, Pebbles, Glue, Water on Paper
27 in x 40 in
This piece is part of a series of artwork documenting the tide of Lake Bolsena (central Italy).
Considerations taken into account were the time of day, the location on the lake, weather
patterns, and exterior variables such as currents from boats, footprints from ducks, etc.
Trantler (Tree + Antler)
June 2020
Reclaimed Wood, Bronze
12.5 ft x 4 ft
Gearhart, Oregon, USA
The name Trantler is based on combining two predominant elements in Gearhart: the wild elk that roam the region, and the timber industry that has been a cornerstone in the Pacific Northwest since 1848. Oregon is one of the world’s great tree-growing areas so it comes natural to celebrate its contribution to the state’s economy as well as the majestic beauty of its forests. Additionally, the elk herd near Gearhart has become quite prevalent - growing from about thirty a decade ago to around one hundred and twenty members today. Both the timber industry and the elk herd have been sources of discussion within the community. The conversation regarding the environmental impacts of clear cutting versus its potential to diversify the local ecosystem is in debate. Concurrently, the dialogue around the elk herd being a charming attraction as opposed to the wild life creating safety issues still stands strong. This sculpture positions itself as an unbiased piece of artwork, aiming to observe the challenging aspects of human’s relationship with nature, and to promote critical thinking towards the connection between preserving our planet and protecting a healthy economy. The goal of the project is to bring residents and tourists together in hopes of more interaction and collaboration between each other and foster unity by showcasing varying ideologies within a community in a peaceful manner.
Trantler (Tree + Antler)
June 2020
Reclaimed Wood, Bronze
12.5 ft x 4 ft
Gearhart, Oregon, USA
The name Trantler is based on combining two predominant elements in Gearhart: the wild elk that roam the region, and the timber industry that has been a cornerstone in the Pacific Northwest since 1848. Oregon is one of the world’s great tree-growing areas so it comes natural to celebrate its contribution to the state’s economy as well as the majestic beauty of its forests. Additionally, the elk herd near Gearhart has become quite prevalent - growing from about thirty a decade ago to around one hundred and twenty members today. Both the timber industry and the elk herd have been sources of discussion within the community. The conversation regarding the environmental impacts of clear cutting versus its potential to diversify the local ecosystem is in debate. Concurrently, the dialogue around the elk herd being a charming attraction as opposed to the wild life creating safety issues still stands strong. This sculpture positions itself as an unbiased piece of artwork, aiming to observe the challenging aspects of human’s relationship with nature, and to promote critical thinking towards the connection between preserving our planet and protecting a healthy economy. The goal of the project is to bring residents and tourists together in hopes of more interaction and collaboration between each other and foster unity by showcasing varying ideologies within a community in a peaceful manner.
virUS
Public Installation, Video
April 2020
100 Clay Roof Tiles, 1 Sledgehammer, 1 Pick Axe
10 ft x 50 ft
Los Angeles, California
To view the 1 minute 45 second video, click here
This installation was a collaboration with artist Adam Guy to create a large scale installation in support of our global fight against the Coronavirus disease (COVID-19). The goal of this piece is to express humanity’s strength and resilience to the global pandemic, but not without the truth that accompanies it: fear, anxiety, grief and more. Clay tiles are frequently used as roofing on houses in Southern California. Listed as a give away on Craigslist they are a perfect symbol for the significance of “Home.” Lining up the tiles like dominoes, we spelled out the word “VIRUS” in 12 ft. letters then proceeded to crush the first three letters of the word with a sledge hammer and pick axe - leaving the remaining part of the word as "US.” We then documented the process via photography and video. Both of us live alone in our art studios/warehouse across the hall from each other and had been self isolating for four weeks. With social distancing in place, this installation let us share the frustration of our challenges creatively while conveying that we are all in this fight together.
Water Samples
2017 (ongoing)
Water from 100 Locations,
100 Glass Bottles
Each Bottle 9 in x 3 in
This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.
Water Portraits France
Installation
2017
Found Objects, Oil Paint, Glass Jars,
Water From the River Seine
6 ft x 6 ft
This installation exposes water from the River Seine to various colors and patterns painted on found objects from Marnay Sur Seine, France. After fifteen days of exposure, the water crystals were examined to see if certain colors influenced the molecular structures, negatively or positively. Five out of twenty samples of water resulted in specific changes related to their surroundings. None were negative or positive - instead, their molecular structures began to mimic the shapes of the found objects by which they were influenced.
Water Portraits France / Water Crystal Results
Giclee Prints
2017
15 in x 24 in
The following are images of the water crystals' molecular structures after 15 days of exposure. (As videoed through microscopic photography.) They are photographed next to the object by which they were influenced.
Water Portraits Italy
Installation
2018
Found Objects, Oil Paint, Glass Jars,
Water From Lake Bolsena, Italy
This installation exposes water from the Lake Bolsena to various colors and patterns painted on found objects from around the lake. After fifteen days of exposure, the water crystals were examined to see if certain colors influenced the molecular structures, negatively or positively. Five out of twenty samples of water resulted in specific changes related to their surroundings. None were negative or positive - instead, their molecular structures began to mimic the shapes of the found objects by which they were influenced.
Water Portraits Italy / Water Crystal Results
Giclee Prints
2018
15 in x 24 in
The following are images of the water crystals' molecular structures after 15 days of exposure. (As videoed through microscopic photography.) They are photographed next to the object by which they were influenced.
Water Portraits / Sequana
Giclee Print
2017
15 in x 24 in
This sculpture of the Goddess Sequana (Seine) is located at the mouth of the River Seine, near Dijon, France. A tiny black hole lies below her where the river bubbles up from the ground and feeds the remaining part of the country. The water sample attained from here was not exposed to any colors or patterns. Instead, it was frozen one week after I removed it from the source. This image shows the structure of the water crystal and it’s comparison to its surroundings at Source Seine, France.
Water Portraits / Riverbank of the Seine
Giclee Print
2017
15 in x 24 in
This photo of the River Seine was taken in Marnay Sur Seine, France. This water sample attained from here was not exposed to any colors or patterns. It was frozen four days after
I removed it from this location. This image shows the structure of the water crystal and its comparison to its surroundings on the banks of Marnay Sur Seine.
